《How to Listen to and Understand Great Music, 3rd Edition》

How to Listen to and Understand Great Music, 3rd Editiontxt，chm，pdf，epub，mobi下载
作者: Robert Greenberg, Ph.D.
出版社: The Great Course
原作名: Robert Greenberg, Ph.D.
出版年: 2006
页数: n/a
定价: USD 349.95/Audible 1 credit
装帧: Audiobook/有声书
ISBN: 9781598032710

内容简介  · · · · · ·

Learning how to appreciate the unmatched beauty, genius, and power of concert music can permanently enrich your life. Why is this so? As award-winning composer and Professor Robert Greenberg explains, "Music, the most abstract and sublime of all the arts, is capable of transmitting an unbelievable amount of expressive, historical, and even philosophical information to us, provi...

Learning how to appreciate the unmatched beauty, genius, and power of concert music can permanently enrich your life. Why is this so? As award-winning composer and Professor Robert Greenberg explains, "Music, the most abstract and sublime of all the arts, is capable of transmitting an unbelievable amount of expressive, historical, and even philosophical information to us, provided that our antennas are up and pointed in the right direction. A little education goes a long way to vitalizing and rendering relevant a body of music that many feel is beyond their grasp.

作者简介  · · · · · ·

Dr. Robert Greenberg is Music Historian-in-Residence with San Francisco Performances. A graduate of Princeton University, Professor Greenberg holds a Ph.D. in Music Composition from the University of California, Berkeley. He has seen his compositions—which include more than 45 works for a wide variety of instrumental and vocal ensembles—performed all over the world, including N...

Dr. Robert Greenberg is Music Historian-in-Residence with San Francisco Performances. A graduate of Princeton University, Professor Greenberg holds a Ph.D. in Music Composition from the University of California, Berkeley. He has seen his compositions—which include more than 45 works for a wide variety of instrumental and vocal ensembles—performed all over the world, including New York, San Francisco, Chicago, Los Angeles, England, Ireland, Greece, Italy, and the Netherlands.

He has served on the faculties of the University of California, Berkeley; California State University, Hayward; and the San Francisco Conservatory of Music, and has lectured for some of the most prestigious musical and arts organizations in the United States, including the San Francisco Symphony, the Lincoln Center for the Performing Arts, the Van Cliburn Foundation, and the Chicago Symphony. For The Great Courses, he has recorded more than 500 lectures on a range of composers and classical music genres.

Professor Greenberg is a Steinway Artist. His many other honors include three Nicola de Lorenzo Composition Prizes and a Koussevitzky commission from the Library of Congress. He has been profiled in various major publications, including The Wall Street Journal; Inc. magazine; and the London Times.

目录  · · · · · ·

48 lectures | 45 minutes each
1 Music as a Mirror
2 Sources—The Ancient World and the Early Church
3 The Middle Ages
4 Introduction to the Renaissance
5 The Renaissance Mass
· · · · · · ()
48 lectures | 45 minutes each
1 Music as a Mirror
2 Sources—The Ancient World and the Early Church
3 The Middle Ages
4 Introduction to the Renaissance
5 The Renaissance Mass
6 The Madrigal
7 An Introduction to the Baroque Era
8 Style Features of Baroque-era Music
9 National Styles—Italy and Germany
10 Fugue
11 Baroque Opera, Part 1
12 Baroque Opera, Part 2
13 The Oratorio
14 The Lutheran Church Cantata
15 Passacaglia
16 Ritornello Form and the Baroque Concerto
17 The Enlightenment and an Introduction to the Classical Era
18 The Viennese Classical Style, Homophony, and the Cadence
19 Classical-era Form—Theme and Variations
20 Classical-era Form—Minuet and Trio: Baroque Antecedents
21 Classical-era Form—Minuet and Trio Form
22 Classical-era Form—Rondo Form
23 Classical-era Form—Sonata Form, Part 1
24 Classical-era Form—Sonata Form, Part 2
25 Classical-era Form—Sonata Form, Part 3
26 The Symphony—Music for Every Person
27 The Solo Concerto
28 Classical-era Opera—The Rise of Opera Buffa
29 Classical-era Opera, Part 2—Mozart and the Operatic Ensemble
30 The French Revolution and an Introduction to Beethoven
31 Beethoven's Symphony no. 5 in C Minor, op. 67, Part 1
32 Beethoven's Symphony no. 5 in C Minor, op. 67, Part 2
33 Introduction to Romanticism
34 Formal Challenges and Solutions in Early Romantic Music
35 The Program Symphony—Berlioz's Symphonie fantastique, Part 1
36 The Program Symphony—Berlioz's Symphonie fantastique, Part 2
37 19th-Century Italian Opera—Bel Canto Opera
38 19th-Century Italian Opera—Giuseppe Verdi
39 19th-Century German Opera—Nationalism and Experimentation
40 19th-Century German Opera—Richard Wagner
41 The Concert Overture, Part 1
42 The Concert Overture, Part 2
43 Romantic-era Musical Nationalism
44 Russian Nationalism
45 An Introduction to Early 20th-Century Modernism
46 Early 20th-Century Modernism—Claude Debussy
47 Early 20th-Century Modernism—Igor Stravinsky
48 Early 20th-Century Modernism—Arnold Schönberg
· · · · · · ()